Libertà! Mozart & The Opera MOZART, PAISIELLO, MARTIN Y SOLER, SALIERI Sabine Devieilhe, Pygmalion, Raphaël Pichon 2cd

Sabine Devieilhe (soprano), Siobhan Stagg (soprano), Serena Malfi (mezzo), Linard Vrielink (tenor), John Chest (baritone), Nahuel di Pierro (bass-baritone)

Pygmalion, Raphaël Pichon

1. La Folle Giornata
1-1 Ouverture 5:05
1-2 Ah Che Ridere! 5:22
1-3 Dove Mai Trovar Qual Ciglio? 4:13
1-4 Saper Bramate Composed By – Giovanni Paisiello 4:57
1-5 Bella Mia Fiamma… Resta, Oh Cara! 9:38
1-6 Caro Bell’idol Moi 2:01
1-7 Ogni Momento Dicon Le Donne 1:18
1-8 Ridente La Calma 4:21
1-9 Spiegarti Non Poss’io 3:26
1-10 Se Lontan, Ben Mio, Tu Sei 1:42

Scène 2. Il Dissoluto Punito

1-11 Ouverture. Maestoso 3:50
1-12 O Quanto Un Sì Bel Giubilo! Composed By – Vicente Martín Y Soler 2:05
1-13 Così Dunque Tradisci… Aspri Rìmorsi Atroci! 3:58
1-14 Nascoso È Il Mio Sol 2:12
1-15 Vado, Ma Dove? 4:36
1-16 Per Pietà, Non Ricercate 6:34
1-17 No, Che Non Sei Capace 4:17
1-18 Corpo Di Satanasso! 5:13
1-19 Ne Pulvis Et Cinis 3:05
1-20 Entracte 1:18

Scène 3. La Scuola Degli Amanti

2-1 Ouverture 4:17
2-2 Männer Suchen Stets Zu Naschen 2:18
2-3 Io Ti Lascio, O Cara, Addio 4:36
2-4 Da Schlägt Die Abschiedsstunde 4:04
2-5 Con Mille Smanie Al Core Composed By – Antonio Salieri 1:19
2-6 Son Le Donne Sopraffine Composed By – Antonio Salieri 2:19
2-7 Ah Che Accidenti! 2:58
2-8 Più Non Si Trovano 3:21

Enregistrement: October 2018, Église Protestante Unie du Saint-Esprit, Paris (France).

Digibook with circa 108 pages.

Label: Harmonia Mundi – HMM 902638.39
Barcode: 3149020937587
Format: 2 x CD, Album, Digibook
Country: Europe
Released: Nov 2019
Genre: Classical
Style: Opera Scène

Between Die Entführung aus dem Serail and the advent of the famous Da Ponte trilogy, Mozart threw himself frantically into the search for the right libretto, capable of taking the spectator to lands still unexplored where the drama and the psychology of the characters would be sublimated by the music.

Hence, in the years between 1782 and 1786, Mozart set up a veritable laboratory for dramatic music: a musical corpus of concert arias, sketches and stylistic exercises like the canon – brilliantly organised here as an imaginary dramma giocoso in three scenes, each heralding in its own way one of the summits to come: Figaro, Don Giovanni, Così…