JOLIVET Complete Flute Works, Vol. 2 / Helene Boulegue

1,450.00 

Andre JOLIVET (1905-1974) Complete Flute Works, Vol. 2

Flute Concerto No. 2 ‘Suite en concert’
I. Modéré – Frémissant
II. Stabile
III. Hardiment
IV. Calme – Véloce – Apaisé

Hélène Boulègue (flute), Marc Aixa Siurana (percussion), Rachel Xi Zhang (percussion), Laurent Warnier (percussion), Dominique Vleeshouwers (percussion)

Alla rustica (1963) for flute and harp
Hélène Boulègue (flute), Anaïs Gaudemard (harp)

Pipeaubec
I. Allegretto simplice
II. Giocoso

Hélène Boulègue (flute), Laurent Warnier (percussion)

 

Sonatine for Flute & Clarinet

I. Andantino
II. Quasi cadenza. Allegro
III. Intermezzo. Vivace

Hélène Boulègue (flute), Olivier Dartevelle (clarinet)

 

Pastorales de Noël (1943) for flute, bassoon and harp
I. L’étoile
II. Les mages
III. La Vierge et l’Enfant
IV. Entrée et danse des bergers
Hélène Boulègue (flute), David Sattler (bassoon), Nicolas Tulliez (harp)

Une minute-trente
Hélène Boulègue (flute), Laurent Warnier (percussion)

Petite suite for Flute, Viola & Harp

I. Prélude. Modéré
II. Modéré san traîner
III. Vivement
IV. Allant
V.

Hélène Boulègue (flute), Jean-Christophe Garzia (viola), Nicolas Tulliez (harp)

Jolivet: Concerto for Flute and String Orchestra (1949)
I. Andante cantabile – Allegro scherzando
II. Largo – Allegro risoluto

Hélène Boulègue (flute)
Luxembourg Philharmonic Orchestra
Gustavo Gimeno

Label: Naxos – 8.574079
Barcode: 747313407972
Series: Laureate Series
Format: CD, Album
Country: Germany
Released: Mar 13, 2020
Genre: Classical
Style: Modern

8pp booklet in English.

Recorded:
29-30 October 2018 at the Salle Polyvalente, Conservatoire de la Ville de Luxembourg (tracks 1-4, 6-10, 15)
5-7 July 2018 at the Grand Auditorium, Philharmonie Luxembourg (tracks 21-22)
1-2 February 2019 at the Grand Auditorium (tracks 11-14, 16-20)
16 March 2019 at the Auditorium, Villa Louvigny (track 5)

 

In this second volume of André Jolivet’s complete works for flute, Kobe International Flute Competition winner Hélène Boulègue explores further examples of some of the most individual and important of all 20th-century works for the instrument. The Flute Concerto No. 1 exemplifies Jolivet’s genius for liquid melodic lines and frenetic bravura. The intricately scored Suite en concert for flute and four percussionists is one of the most fascinating in the repertoire, whilst the Sonatine is both trance-like and rhapsodic.

 

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